This piece by Liene Bosquê is a tribute to the great temple in the big architectural cluster of Mỹ Sơn destroyed in Vietnam. It is a contemplation on all that is taken by the fire of war, but more than that, a contemplation on the balancing of the feminine and masculine forces which is a constant in humanities' formula.  In collaboration with music artist Alexandra Filipe, the sculpture is activated through sacred chanting. The melody used in this performance piece was originally composed by Filipe using the mathematical Fibonacci sequence and it was later arranged with the sacred chant "RaMa, RaMaDaSa" which brings that duality into a middle pillar, projecting equilibrium and healing into the world.  The artists plays with the elements of duality like the feminine and the masculine, sun and moon, linga and yoni, ida and pingala, through both the visual and the audio structures. Originally the word "To sing" (cantare) meant "to produce by magic". This mantra intends to generate an organizing effect at the molecular level of those who chant and listen to it.  The silent sculpture becomes alive and transported from an inward prayer to the outward years of the streets.